Construction filming
Films that show
the build
From the first machine on site to the ribbon at handover — aerial and ground camera, shot around live operations and edited in-house into films the boardroom actually watches.
What we film
Three films every
programme needs
01 — Progress
Monthly progress films
A fixed monthly shoot-and-edit rhythm that gives the project team, the client and the funders the same clear picture — filmed around live operations without stopping them.
- Fixed schedule, fixed price per month
- Aerial and ground coverage in one visit
- Delivered edited, graded and captioned
02 — Milestones
Milestone & topping-out coverage
The moments a programme is remembered by: breaking ground, major lifts, topping out, first energisation. Planned in advance, filmed properly, ready for the press release the same week.
- Multi-camera coverage of key events
- Interviews and pieces to camera
- Fast-turnaround cutdowns for social
03 — Handover
End-of-project films
The whole programme in one film — timelapse, aerials, milestones and interviews cut into the piece that wins the next tender. If our tower has been on site, years of footage are already in the can.
- Combines timelapse and filmed material
- Versions for bid libraries, web and events
- Full usage rights, delivered in every format
The loadout
One cinema camera
in the air. One on
the ground.
The same full-frame image, whether the shot flies or walks — so your film cuts together seamlessly.
In the air
DJI Inspire 3
- Full-frame 8K cinema camera in the sky
- ProRes RAW — broadcast-grade straight off the aircraft
- Centimetre-accurate RTK positioning for repeatable shots
- 360° pan gimbal — angles ground crews can't reach
On the ground
DJI Ronin 4D
- Full-frame 6K/8K cinema camera, handheld
- 4-axis stabilisation — footage floats at walking pace
- LiDAR autofocus that locks on in any light
- ProRes RAW to onboard SSD, ready for the grade
Why crews let us on site
We work like
a subcontractor
Full PPE. Every visit. No exceptions.
Turned out properly
PPE isn't a photo prop
Hi-vis, hearing protection, comms and site-appropriate footwear as standard — hard hats and harnesses where the site or the task demands it. Our crew arrive dressed for your induction, not for a film set, and your site manager never has to have the conversation.
- Site-standard PPE worn as a matter of course
- Task-specific kit — harnesses at height, eye and hearing protection with plant
- Inductions completed without drama, escort requirements respected
Paperwork first
RAMS issued before we arrive, inductions done without fuss, CAA authorisation and £10m insurance on file with your compliance team.
Around live work
We plan shoots to the programme, not the other way round — no stopped plant, no cleared areas, no lost hours on our account.
One point of contact
The crew that flies your site runs your timelapse and cuts your films. One supplier, one invoice, one person who knows the job.
Next step
Tell us about the programme
Site, dates and what the film needs to do. Scoped quote back, usually the same working day.